Sarah, Amenabar, Tesis and the spectacle of suffering
Some years ago I made an impression on a film entitled "Tesis" was the director Alejandro Amenabar, his first work.
The director said he then made a great career with so much to win the Oscar for "The Sea Inside." obviously had talent . In my opinion, however, in his first expresses its maximum brilliance.
The plot was very disturbing, but it was even more so, as we shall see, the ending.
The story is set in the power of cinema in Madrid, two students find a ride Snuff Movies (film relamente they are tortured and killed people), investigate and discover the culprit, the final Grand Guignol. The murderess
once discovered, I reveal who he is, screaming that he was not the monster but all people who like to watch the cruelty by testing their sense of pleasure because he would never have done what he did.
There is a cut and are shown pictures of people watching on television: news and discussions about anything else the sad and violent history. their eyes are abducted and show pleasure, the two main characters look and understand the situation and remain upset. The movie ends well.
Personally, every time a story of crime is given a great emphasis that I can not think of this film and ask me the question about who really are the monsters, those who commit the crimes or who still lends itself to the audience to be greedy . It will be strange but every time I remain astonished to watch the media hubbub that comes into being.
In these days, and then, seeing the program move into the murder of Sarah Scazzi I could relive that sense of unease that I raised in the film.
I think it is just the freedom of the press, but spettacolarizzazion the pain I find it absurd and unreasonable, I can not understand that sense has to show her cousin on TV, and because it lends itself, I do not understand what sense has to tell the gory details the most sense barking and spend evenings in the family to hear his description.
Unfortunately, the answer I give is the message coming from Amenabar often the monsters are not only those who commit crimes but also those that lend themselves to it aside.
lines above I had written a few days ago, without having time to publish them, the record has been avnt5i than fiction, even the circus meidatico yesterday, even a well-known journalist, he apologized to the victim to the media uproar, for the intrusion into the private course ..... all in a letter read from the 5 Tg Amenabar .... great ...... I do not concern me that remains his masterpiece. Massimiliano
Scaringella
lawyer the Court of Rome
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